LILA visionary.art

Journal & archive · 3 dossiers · 48 pieces

Journal of the Vision Quest

Exploring Visionary Art & Culture

Select an issue

Dossiers

Issue
Dossier I · 6 pieces

Vision Craft Charting 21st Century Visionary Art

Visionary art emerged across the twentieth and early twenty-first centuries as a countercurrent to modernist formalism and the dominance of high-concept art. Rather than treating the image primarily as critique, proposition or aesthetic object, it employs signs, symbols and imaginal forms as records of transpersonal exploration—attempts to render altered states, archetypal realities and expanded modes of consciousness visible.

i

An Introduction to Ernst Fuchs

Ernst Fuchs was an extraordinarily talented and multifaceted Austrian artist born on February 13, 1930. He was a master of several mediums including painting, drawing, printmaking, and sculpture, and he also ventured into architecture, stage designing, poetry, and singing. Fuchs was a pivotal figure in the Vienna School of Fantastic Realism, a movement he co-founded. His legacy places him as one of the pivotal founders of contemporary visionary art and one of the great preservers and reinvigorators of the timeless legacy of sacred art.

Interview
Daniel Mirante
11 min
ii

Flowing Light – The Art of A. Andrew Gonzalez

A. Andrew Gonzalez, of San Antonio, Texas, has been depicting the human form "as temple and vessel sublimed by transformative forces" for over 15 years. Empowered by an artistic mission to "transform the collective imagination",

Interview
Daniel Mirante
4 min
iii

H. R. Giger and the Zeitgeist of the Twentieth Century

A penetrating and groundbreaking analysis of the biomechanical, transhuman, mystical and perinatal imagery in the artistic oeuvre of Han Rudi Giger.

Source
Stan Grof
74 min
iv

On Visionary Art

The Visionary lineage predates religion, and has informed sacred art across the millennia. The Visionary artist is the eternal poet – ‘ein verschollener Stil’ is the grammar through which they speak. The lineage from these founding fathers is subtle but true. From the shaman’s etchings, this artistic spirit continues into the carvings of the ancients.

Essay
Rob Percival
23 min
v

Psychedelia & Visionary Art

This essay investigates the poetics of visionary art as a result of interactions between local cultures and non-ordinary states of consciousness. We seek, through brief examples, to draw a parallel between images produced in the past, images produced by Amazonian tribes, and the production of contemporary artists and to point out series of meaningful coincidences between them.

Essay
Antar Mikosz PhD
17 min
vi

The New Eye – Visionary Art and Tradition

The historical lineage of visionary artists masks a deeper and more commanding claim that sets the genre apart from the marvelous idiosyncrasies of outsider art. The claim is that the visionary artist gives personal expression to a transpersonal dimension, a cosmic plane that uncovers the nature that lies beyond naturalism, and that reveals, not an individual imagination, but an imaginal world, a mundus imaginalis.

Essay
Daniel Mirante
8 min
The editorial

"Without Vision, the people perish." Black Elk

A library, research project, community network and place of inspiration,
exploring the history, present and future of Sacred Art, Visionary Art, techniques and theory. An evolving body of knowledge and mentorship around visionary art accessible anywhere in the world.

Established in 2002, having moved through many permutations, Lila has relaunched in July 2026 in conditions of technological acceleration, to help support and answer the call for ‘inner life’.

Deep view

Templo Sacrosanto

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Templo Sacrosanto

Templo Sancto - Pablo Amaringo

The archive

Strands

A dossier is a finite editorial constellation organised around a governing question — an issue. A strand is a continuing line of inquiry that runs across many dossiers; each dossier brings several of them into temporary conjunction.

Creativity, Art, Embodiment, Integration How is vision carried into form, body, praxis and culture? Pigment, glaze and the icon canon; visionary prose, music and architecture; mark-making; creative vitality; collective integration. 0 Ecology, Cosmos & Emergence How does visionary experience disclose relations between living systems, natural form, cosmology and emergent order? Plant intelligence and animism, complexity and self-organisation, the more-than-human world. 7 Futures, Cyberdelics, Sociotechnical Imaginaries How do technologies and designed environments produce, mediate or alter visionary experience? How does our dreaming of the future shape it? Digital and immersive media, engineered awe, the politics of induced states (cyberdelics). 0 Myth & Symbol How do visionary images acquire, carry and transform meaning? Archetype and correspondence, sacred geometry, iconography, the traffic between private image and inherited form. 3 Psyche & Transformation What does visionary experience do to a person and a culture, and what enables transformation rather than inflation or collapse? Integration, individuation, spiritual emergency, the ethics of altered states. 6 Traditions & Transmission How is visionary knowledge preserved, taught, inherited and revised? Lineages and schools, master and student, continuity and rupture - and the questions of cultural change, inheritance and legitimacy. 20 Visionary States How does visionary experience arise, and what distinguishes its conditions? Entheogenic and trance states, dream and hypnagogia, the perinatal and the mystical, awe and dread. 2
The school

Practicing Art

Vision Craft

Vision is a faculty, it can be cultivated and expressed through art. We teach it as a sequence of capacities. Saturation, withdrawal, incubation, invitation, dialogue, realisation — a rhythm. Sustained inner seeing, hypnagogic trance, active imagination, automatic mark-making, image fasting, symbolic incubation, and bringing forth a world through techniques of Visionary Art.

01

Spontaneity & Symbols

Learning to let forms emerge before intention closes around them. Developing a personal symbolic language from instinct, memory, vision and recurring image.

02

Pigments & Elements

Understanding colour as material substance: earth, mineral, binder, glaze and light. Building a practical relationship with the physical elements from which an image is made.

03

Decalcomania

Using pressure, transfer and accident to generate forms that conscious design could not predict. Learning to recognise, develop and refine the worlds concealed within the resulting textures.

04

Bringing Forth a World

Moving from isolated images towards a coherent imaginative environment. Developing atmosphere, scale, narrative and internal laws so that a world begins to sustain its own reality.

05

Mischtechnik

Building luminosity through layered underpainting, translucent colour and controlled opacity. Learning the historic technique as a living method for giving visionary images depth, radiance and presence.